Jennie C Jones Compilation Contemporary Arts Museum Houston Tx 20152016
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Jennie C Jones
| Jennie Jones | Artist | |
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| School of the Art Institute of Chicago; Mason Gross School of the Arts, Rutgers University http://www.jenniecjones.com/ | ||
Jennie C. Jones (born 1968 in Cincinnati, Ohio) is an African-American artist living and working in Brooklyn, New York. Her piece of work has been described, past Ken Johnson, every bit evoking minimalism, and paying tribute to the cross-pollination of unlike genres of music, peculiarly jazz. As an artist, she connects virtually of her work between fine art and sound. In 2012, Jones was the recipient of the Joyce Alexander Wien Prize, 1 of the biggest awards given to an individual artist in the United states of america. The prize honors one African-American artist who has proven their commitment to innovation and creativity, with an award of fifty,000 dollars. In December 2015 a 10-yr survey of Jones's piece of work, titled Compilation , opened at the Contemporary Arts Museum in Houston, Texas.
- 12 minutes with jennie c jones
- Creative person talk jennie c jones
- Education
- Piece of work
- Exhibitions
- Selected solo exhibitions
- Selected group exhibitions
- Fellowships and residencies
- Awards
- Collections
- References
Jennie C. Jones received her BFA at The School of the Art Institute of Chicago, in 1991. She and so graduated from Bricklayer Gross School of the Arts at Rutgers University, earning her MFA in 1996. In the summer of 1996, Jones was a participant at Skowhegan Schoolhouse of Painting and Sculpture.
Jones is a visual and sonic artist whose paintings, sculptures, and works on paper incorporate ideas around minimalism, abstraction, Jazz, and Blackness history. Valerie Cassel Oliver noted in her "Outside The Lines," catalogue essay, that "working in painting as well as sound, she has mined the politics, culture and aesthetic innovations of the mid-20th century and has emerged with sharp criticisms and astute queries that are now embedded in the piece of work. Jones's work challenges us to understand the frameworks of modernism, which embraced black musical forms but excluded blackness visual art from its catechism". During Absorb / Diffuse, her fall exhibition at The Kitchen in New York City, Jones presented a piece titled From The Low, which is a audio piece that has multiple music samples, ranging from jazz to modernistic electronica. From The Low presents her political statement: that African-American artists and musicians are absent from modernism. The samples used in this sound piece accept been "given a new context, perhaps to exist classified in a category of black minimalism".
The sound pieces are synthetic using traditional sound editing methodologies and often have their origin in historic recordings. With the amalgamation of industrial audio-visual materials, often used in recording studios and listening rooms, Jones's art focuses on building a bridge betwixt two-dimensional works, architecture, and sound. Jennie has stated that "conceptualism allows these different media to occupy the aforementioned space." Jones is a critic in the Sculpture Section at Yale University.
Jones's piece of work has been exhibited from all over the earth. 1 of her outset notable New York City group shows was "Freestyle" at the Studio Museum in Harlem, a show that included artists such as Sanford Biggers, Mark Bradford, Julie Mehretu, and Rashid Johnson.
Fellowships and residencies
Jennie C. Jones Wikipedia
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